Phantom of Illumination (Thailand, 2017)
The subject of Wattanapume Laisuwanchai’s documentary Phantom of Illumination is a humble projectionist who worked at the same Bangkok neighborhood theater for 26 years until...
Enslaving Ourselves to Digital Technology: On Nawapol Thamrongrattanarit’s 36 and Freelance
Over the last decade, one of the most singular cinematic voices in Asian Cinema has emerged from Thailand – thirty-five-year-old filmmaker Nawapol Thamrongrattanarit. Since his...
Die Tomorrow (Thailand, 2017)
Nawapol Thamrongrattanarit has, in the course of his short filmography, already established his propensity to explore and expand cinematic narrative form in relation to themes...
Cemetery of Splendor (Thailand, 2015)
Cemetery of Splendor, director Apichatpong Weerasethakul’s follow-up to his Palme d’Or-winning Uncle Boonmee Who Can Recall His Past Lives (2010) and Mekong Hotel (2012), is...
Premika (Thailand, 2017) [NYAFF 2018]
Siwakorn Charupongsa’s directorial debut Premika is a jaunty slapstick slasher, with its combination of gory moments of killing, thanks to a teenage ghost in a...
Railway Sleepers (Thailand, 2017)
Shot in trains traveling on every operating railway route in Thailand, Sompot Chidgasornpongse’s documentary, Railway Sleepers, turns an inquisitive eye to the nation’s population, often...
The Swimmers (Thailand, 2014)
A slick blend of supernatural chiller and teen thriller, The Swimmers is an effective suspense piece from writer-director Sophon Sakdaphisit, who scripted the breakout Thai...
Syndromes and a Century (Thailand, 2006)
When Syndromes and a Century, the fifth feature by art-house wunderkind Apichatpong Weerasethakul, was granted a limited release in his native Thailand following a battle...
Uncle Boonmee Who Can Recall His Past Lives (Thailand, 2010)
Prior to Cannes, critical consensus was more or less that Uncle Boonmee Who Can Recall His Past Lives could be dismissed as another trip down...