Ma (Philippines, 2018) [NYAFF 2019]
The monosyllabic simplicity of the title of Kenneth Lim Dagatan’s debut feature is deceiving. It belies a work that operates very much like a fairy...
The Gun (Japan, 2018) [NYAFF 2019]
On a dark and rainy night, college student Toru Nishikawa (Murakami Nijiro) comes across a handgun. Without much thought, he picks it up and takes...
Complicity (Japan/China/France, 2018) [NYAFF 2019]
Kei Chikaura’s debut feature film tackles the immigrant life and experience through Chen Liang (Yulai Lu), a young Chinese man from Henan province who makes...
The Fable (Japan, 2019) [NYAFF 2019]
Katsuhisa Minami’s seinen manga The Fable has been serialised in Weekly Young Magazine since 2014 and it won the general category of the 41st Kodansha...
Samurai Marathon (Japan, 2019) [NYAFF 2019]
Every May in Annaka city, Gunma Prefecture, a marathon is held that claims to be the oldest in Japan. Its origins can be traced back...
Hard-Core (Japan, 2018) [NYAFF 2019)
Adapting a manga into a film is an extremely difficult endeavor, one that many filmmakers often underestimate when they latch on to a popular title,...
The Very Last Day (Taiwan, 2018)
Bestselling author Raymond (Lawrence Ong) has just released his latest novel. It should be a happy time, but there is discord between him and his...
Nakorn-Sawan (Thailand/South Korea/Germany, 2018) [Aperture 2019]
The emotion and intention that drove the making of Puangsoi Aksornsawang’s debut feature film are clear and affecting: the passing and memory of her mother....
Poetic Voices: A Trip Through the Taiwanese Avant-garde of the 1960s [Aperture 2019]
Presented as part the 2019 Aperture: Asia and Pacific Film Festival, “Poetic Voices: A Trip Through the Taiwanese Avant-garde of the 1960s” is a collection...
The Open Door (Bhutan, 2018) [Aperture 2019]
I suspect that many readers will be unfamiliar with the emerging Bhutanese cinema, yet they might know the director of the short film The Open...