Preview – Ann Hui Retrospective at the 11th Five Flavours Asian Film Festival
This year’s Five Flavour’s retrospective is devoted to Ann Hui, one of the most renowned female directors in Asia. Her films has been portraying the...
The Power of Zhang Yimou’s Metaphors and Colour Symbolism in Raise the Red Lantern (1991) [DCCFF 2017]
When we speak of Zhang Yimou, a leading light of China’s so-called Fifth Generation of filmmakers, many people immediately conjure up sumptuous imagery from the...
The Hong Kong Second Wave and their Fascination with the 1960s [DCCFF 2017]
During the mid-1980s, there was a subtle handover between the first and second Hong Kong new cinemas. After the first wavers spent the late 1970s...
Fleeting Romance in the Throes of Development: Lou Ye’s Suzhou River (2000) [DCCFF 2017]
Lou Ye’s breakthrough feature Suzhou River intertwines the destinies of two couples. Mardar (Jia Hongsheng) is a motorcycle courier and small-time criminal who becomes romantically...
In Defence of Wang Tung’s Nativist Trilogy: The Black Sheep of the Taiwanese New Cinema [DCCFF 2017]
For most fans of the Taiwanese new cinema, the only trilogies that probably matter are those from Hou Hsiao-Hsien and Edward Yang. There is however...
Leslie Cheung: Blamefully Beautiful
Leslie Cheung was a megastar by almost any standard, posthumously named the world’s third most iconic singer by CNN in 2010 (following only Michael Jackson...
Preview – London East Asia Film Festival 2017, October 19-29
Opening this year on 19th October at ODEON Leicester Square with Hwang Dong-hyuk’s historical drama The Fortress, as an international premiere, the London East Asia...
A Short Meditation on “Whatever”: Fruit Chan’s Made in Hong Kong (1997) [DCCFF 2017]
When Wu Jing’s Wolf Warrior 2 (2017) has brought itself on par with the best of Hong Kong cinema’s kung-fu, shoot-outs, car chases, and romance...
Critiquing the Post Isolationist Chinese Youth Film [DCCFF 2017]
As China adjusted to post-isolationism in the 1980s, radical new societal narratives emerged and the role of youth during this metamorphosis became prominent in mainstream...
Preview – Bhutanese cinema at the 11th Five Flavours Asian Film Festival, November 15-22
Bhutan is a country without a long-standing film tradition, but it is bravely looking for its own voice and a way to combine tradition with...