Jia Zhangke: A Guy From Fenyang (Brazil, 2014)
Like criss-crossing rail lines denoting movement both forwards and backwards, so the documentary Jia Zhangke: A Guy From Fenyang, directed by Walter Salles, focuses on...
To Dreams of Kurosawa; or, Space of Authorship and Homage in Johnnie To’s Throwdown (2004)
Between the last shot of Throwdown and its ending credits, Johnnie To reveals a dedication: ‘A Salute to Akira Kurosawa, the Greatest Filmmaker.’ This video...
Petal Dance (Japan, 2013)
Hiroshi Ishikawa has made three films in eleven years. From his debut feature Tokyo.sora (2002) through Su-ki-da (2006) to his most recent film Petal Dance, he has...
Juon: The Beginning of the End (Japan, 2014)
Over the past sixteen years the lucrative Juon franchise has produced eight Japanese movies and three English-language remakes, becoming one of the cornerstones of the...
Li Wen at East Lake (China, 2015) [Chinese Visual Festival 2016]
Li Luo has quietly become a name to watch on the festival circuit for the increasing confidence with which his films have collapsed fact and...
A Young Patriot (China, 2015) [Chinese Visual Festival 2016]
What is patriotism and what does contemporary patriotism look like? How does the idealism of youth hold up against the complexities of reality and the...
Zinnia Flower (Taiwan, 2015) [Chinese Visual Festival 2016]
Exquisitely crafted yet emotionally turbulent, Zinnia Flower is a sincere meditation on loss that bravely denies its audience the expected catharsis to instead acknowledge the fact...
Thanatos, Drunk (Taiwan, 2015) [Chinese Visual Festival 2016]
Thanatos, Drunk is the sort of film that divides the audience. Helmed by Chang Tso-chi, one of Taiwan’s most promising (and controversial) auteurs, Thanatos, Drunk,...
Middle Kingdom (China, 2015) [Chinese Visual Festival 2016]
Guo Lin and Huang Ruixin’s Middle Kingdom is an intriguing independent documentary that sheds light on why an endless string of seemingly crazy people would...
Su-ki-da (Japan, 2006)
Human emotions are complicated and it is hard to translate them into concrete cognitive actions that another person may understand and accept. Emotions can easily...