Live from UB (USA, 2014) [Asia House Film Festival 2016]
Music documentaries are often as concerned with seismic political shifts as they are with their ostensible mission of chronicling the tribulations of a particular artist,...
The Bookworm Literary Festival 2016: Multiplex Dreams and Digital Frontiers
2016 marked the 10th anniversary of the Bookworm Literary Festival, an event that constitutes a vital cultural intersection for the city’s arts scene. Although a passion for literature...
Flying Colors (Japan, 2015)
Biographical films, especially ones that revolve around triumphs of the human spirit, can range from truly inspirational (The Pursuit of Happyness [2006]) to manipulative award-bait...
Factory Boss (China, 2014) [Asia House Film Festival 2016]
Set in the extended aftermath of the economic slowdown, Factory Boss focuses on the Dalin Toy Factory in Shenzhen, one of a mere hundred manufacturing enterprises...
Nowhere Girl (Japan, 2015)
Mamoru Oshii has always been an enigmatic curiosity to me, particularly with regards to his live-action films. While he is best known for his animated works like...
Little Brother & Stranger (both Kazakhstan, 2015) [Asia House Film Festival 2016]
I was confused as I started to watch Yermak Tursunov’s Little Brother/Kenzhe. I thought it was the other Kazakh Little Brother, Serik Aprymov’s Little Brother/Bayur...
Johnnie To’s Shadowplay: A Cinema of Space and Orientation
This video essay is the first in a multipart series on Johnnie To’s ‘nocturnal’ films of the 2000s. Modern-era Hong Kong cinema is about many...