Enslaving Ourselves to Digital Technology: On Nawapol Thamrongrattanarit’s 36 and Freelance

Over the last decade, one of the most singular cinematic voices in Asian Cinema has emerged from Thailand – thirty-five-year-old filmmaker Nawapol Thamrongrattanarit. Since his screenwriting and directorial debut in 2009, his films, a mixture […]

Posted by
on Dec, 22 · in Features

Die Tomorrow (Thailand, 2017)

Nawapol Thamrongrattanarit has, in the course of his short filmography, already established his propensity to explore and expand cinematic narrative form in relation to themes of human connection and temporality. From his debut feature 36 […]

Posted by
on Jun, 17 · in Reviews

Cemetery of Splendor (Thailand, 2015)

Cemetery of Splendor, director Apichatpong Weerasethakul’s follow-up to his Palme d’Or-winning Uncle Boonmee Who Can Recall His Past Lives (2010) and Mekong Hotel (2012), is a cosmically-paced meditation on memory, spiritual connection and dreaming. It […]

Posted by
on Jan, 15 · in Reviews

Premika (Thailand, 2017) [NYAFF 2018]

Siwakorn Charupongsa’s directorial debut Premika is a jaunty slapstick slasher, with its combination of gory moments of killing, thanks to a teenage ghost in a school uniform, and over-the-top absurdist humour that would be corny […]

Posted by
on Jul, 10 · in Reviews

Navigation

Please use the navigation to move within this section.