Diamond Island (Cambodia, 2016) [Aperture 2018]

Davy Chou’s first narrative feature Diamond Island is named after a luxury development over the bridge from Phnom Penh, the capital city of Cambodia. Hyped as a place of residential opulence and leisurely pleasure, it’s […]

Posted by
on Sep, 13 · in Reviews

The White Girl (Hong Kong, 2017)

Following their first film collaboration Hong Kong Trilogy: Preschooled Preoccupied Preposterous (2015), famed cinematographer Christopher Doyle and producer-director Jenny Suen Ming-lei resume their working relationship with The White Girl, only this time Doyle and Suen […]

Posted by
on Sep, 04 · in Reviews

The Widowed Witch (China, 2017)

Er Hao (Tian Tian) is called a witch for having three husbands die upon her. When the last one dies in an explosion at the fireworks factory that he and Er Hao were running, she […]

Posted by
on Aug, 31 · in Reviews

Shoplifters (Japan, 2018)

About halfway through Hirokazu Kore-eda’s 2018 Cannes winner, Shoplifters, a simple question is met by an unexpectedly harrowing answer. The middle-aged, unemployed Osamu (Lily Franky) asks his daughter Aki (Mayu Matsuoka) what she thinks keeps […]

Posted by
on Aug, 28 · in Reviews

Navigation

Please use the navigation to move within this section.