Hydra (Japan, 2019)
Following its initial domestic theatrical run in 2019, Well Go USA Entertainment have picked up Hydra to give American audiences a taste of an indie...
Shadows (Hong Kong, 2020) [CVF 2021]
With its theatrical release delayed by more than a year, Glenn Chan’s bleakly violent thriller Shadows has been making its way around what few film...
PTU (Hong Kong, 2003) [CVF 2021]
One of Johnnie To’s most nocturnal of films, especially since it takes place within the course of one evening into the wee hours, PTU is...
Drifting (Hong Kong, 2021) [CVF 2021]
After his audacious directorial feature debut in 2018 with Tracey, fans of Hong Kong cinema have been patiently awaiting Jun Li’s sophomore outing. Fresh and...
Silat Warriors: Deed of Death (Malaysia, 2019)
Areel Abu Bakar directorial debut Silat Warriors: Deed of Death is an action film that is about family. Mat Arip (Fad Anuar) is a young...
The Witches of the Orient (France/Japan, 2021)
Julien Faraut follows up his 2018 tennis documentary In the Realm of Perfection with another film on unique sports personalities. This time, he focuses on...
The Many Faces of Chika (Japan, 2005)
From June 4 to July 2, 2021, Japan Society’s retrospective “Cinema as Struggle: The Films of Kazuo Hara and Sachiko Kobayashi” celebrates the 50th Anniversary...
Undercover Punch & Gun (Hong Kong, 2019)
Ever since Jackie Chan made his mark on Hong Kong cinema, the concept of blending action with slapstick comedy feels almost natural to the industry’s...
Swimming Out Till the Sea Turns Blue (China, 2020)
Early in Jia Zhangke’s 2006 work Dong, a documentary on artist Liu Xiaodong, the camera hones in on Liu in a medium wide shot walking...
Junho (South Korea/USA, 2021) [CAAMFest 2021]
After testing the waters with a few shorts, Korean-American director David Boo is coming to the Center for Asian American Media festival (CAAMFest) with his...