Among the major filmmakers that burst onto the Thai film scene in the late 1990s/early 2000s, Pen-ek Ratanaruang occupies an interesting aesthetic/narrative space between elliptical, contemplative dreamscapes à la Apichatpong Weerasethakul and reinterpretations of the […]
In terms of the talent involved, Pen-Ek Ratanaruang’s Invisible Waves is a continuation of his previous film – the international success Last Life in the Universe (2003) – as it reunites the Thai director with […]
In the intellectually weighty 1998 tome Death and Metaphysics – Heidegger on Nothingness and the Meaning of Being, Death and Philosophy, Peter Kraus argues that, ‘It is in anxiety and the encounter with death that […]
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