After the genuine surprises of Keisuke Yoshida’s genre-bending romantic thriller Hime-anole (2016), I did not think there could be another film that would similarly shock me with its sheer execution and portrayal of violence on […]
Despite achieving considerable international success at a time when most Japanese filmmakers exclusively cater to the home market, Tetsuya Nakashima has amassed a fair share of detractors for his perceived emphasis on visual stimulation over […]
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