Yang Chao’s second feature-length work Crosscurrent presents a largely missed — albeit strikingly shot — opportunity. Yes, the film is richly textured in terms of visuals, established in the atmospheric opening long shot. During the magical blue […]
This piece is also a preview of the upcoming, first North American retrospective of Lee-lensed films at the Museum of Modern Art, ‘Luminosity: The Art of Cinematographer Mark Lee Ping-Bing,’ 16-30 June 2016 Famed Taiwanese […]
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