Since the start of his post-ban period of filmmaking with 2011’s This Is Not A Film, Jafar Panahi has more explicitly addressed the heightened porosity between documentary and fiction, and by extension actual and staged; […]
After the screening of his seminal work of Iranian and world cinema at the UCLA Film and TV Archive, Bashu, the Little Stranger, Iranian filmmaker Bahram Beyzaie explained that the film, although spoken in two […]
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