Fleeting Romance in the Throes of Development: Lou Ye’s Suzhou River (2000) [DCCFF 2017]
Lou Ye’s breakthrough feature Suzhou River intertwines the destinies of two couples. Mardar (Jia Hongsheng) is a motorcycle courier and small-time criminal who becomes romantically...
In Defence of Wang Tung’s Nativist Trilogy: The Black Sheep of the Taiwanese New Cinema [DCCFF 2017]
For most fans of the Taiwanese new cinema, the only trilogies that probably matter are those from Hou Hsiao-Hsien and Edward Yang. There is however...
Leslie Cheung: Blamefully Beautiful
Leslie Cheung was a megastar by almost any standard, posthumously named the world’s third most iconic singer by CNN in 2010 (following only Michael Jackson...
A Short Meditation on “Whatever”: Fruit Chan’s Made in Hong Kong (1997) [DCCFF 2017]
When Wu Jing’s Wolf Warrior 2 (2017) has brought itself on par with the best of Hong Kong cinema’s kung-fu, shoot-outs, car chases, and romance...
Critiquing the Post Isolationist Chinese Youth Film [DCCFF 2017]
As China adjusted to post-isolationism in the 1980s, radical new societal narratives emerged and the role of youth during this metamorphosis became prominent in mainstream...
The Sophisticated Shocks of Red to Kill (1994) [DCCFF 2017]
CAT III films are important part of Hong Kong cinema. CAT refers to the rating category and number three to the highest rating possible.[1] The...
RTHK: The Mecca of the Hong Kong New Wave [DCCFF 2017]
There is no debating that television was one of the most significant factors regarding the inception of the Hong Kong new wave. During the 1970s...
Cartographic Acts & Spaces of Current (Independent) Philippine Filmmaking, Part 3
A review of select titles of the series ‘A New Golden Age: Contemporary Philippine Cinema’ at the Museum of Modern Art, June 1-25. The inside-outside divide...
Cartographic Acts & Spaces of Current (Independent) Philippine Filmmaking, Part 2
A review of select titles of the series ‘A New Golden Age: Contemporary Philippine Cinema’ at the Museum of Modern Art, June 1-25. Present in practically...
Cartographic Acts & Spaces of Current (Independent) Philippine Filmmaking, Part 1
A review of select titles of the series ‘A New Golden Age: Contemporary Philippine Cinema’ at the Museum of Modern Art, June 1-25. One would be...