The (Ir)reality of Images and Words in Hong Sang-soo’s Claire’s Camera (France/South Korea, 2017) and The Day After (South Korea, 2017) [AFI Fest & SDAFF 2017]

While watching a film by Hong Sang-soo, sooner or later one is hit by the fact that people are wondrously and humourously strange creatures. Fasten them to a routine and they thrive, even if in […]

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on Nov, 16 · in Features

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