If there is one thing upsetting about Anocha Suwichakornpong’s second film By the Time it Gets Dark (2016), it is its refusal to directly engage with historical trauma. This lack of directness visually translates into […]
Co-presented by The Museum of Modern Art and the Film Society of Lincoln Center, the annual festival of emerging filmmakers making their debut, sophomore, or sometimes third-film efforts from around the world takes place this […]
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