Asian film, media, and culture

The Power of Zhang Yimou’s Metaphors and Colour Symbolism in Raise the Red Lantern (1991) [DCCFF 2017]

When we speak of Zhang Yimou, a leading light of China’s so-called Fifth Generation of filmmakers, many people immediately conjure up sumptuous imagery from the director’s more commercially successful titles like Red Sorghum (1987), Hero […]

Posted by
on Sep, 21 · in Features

The Hong Kong Second Wave and their Fascination with the 1960s [DCCFF 2017]

During the mid-1980s, there was a subtle handover between the first and second Hong Kong new cinemas. After the first wavers spent the late 1970s and beyond reshaping the landscape of their national cinema, the second […]

Posted by
on Sep, 19 · in Features

Rage (Japan, 2016) [NYAFF 2017]

Rage concerns the desperate need for human connection and the difficulties in maintaining trust when paranoia grips. It takes place in four different communities in three separate regions of Japan and follows the fallout of […]

Posted by
on Jul, 04

Town in a Lake (Philippines, 2015) [NYAFF 2017]

One night, in the peaceful town of Matangtubig, Batangas, local fisherman Homil Ricarte (Amante Pulido) witnessed a scene at the bridge: two teenage female students were offered an escort home by a group of men. […]

Posted by
on Jul, 03

The Long Excuse (Japan, 2016) [NYAFF 2017]

Miwa Nishikawa loves writing about people’s worst traits. Her previous features – Wild Berries (2003), Sway (2006), Dear Doctor (2009), and Dreams for Sale (2012) – focus on protagonists who are unctious liars, unappreciative egotists, […]

Posted by
on Jul, 02

Wet Woman in the Wind (Japan, 2016) [NYAFF 2017]

The Roman Porno label is back for a series of five films to celebrate 45 years since the Nikkatsu film studio launched the originals. Over the last year or so this specific sub-genre of soft-core […]

Posted by
on Jul, 01



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