Asian film, media, and culture

Death Note and Death Note: The Last Name (Japan, 2006)

Death Note and Death Note: The Last Name have to be seen together as they make up a complete story, which is also an excellent adaptation of the Japanese manga and anime series. In addition, ...

Posted by
on Oct, 30 · in Reviews

Inflatable Sex Doll of the Wastelands (Japan, 1967)

Japan Society’s monthly film series The Dark Side of the Sun: John Zorn on Japanese Cinema opened with a rare US screening of cult director Atsushi Yamatoya’s Inflatable Sex Doll of the Wastelands (1967), a ...

Posted by
on Oct, 28 · in Reviews

That Demon Within (Hong Kong, 2014)

Dave Wong (Daniel Wu) is not the most popular officer on the Hong Kong police force: although dedicated to his job, he has an aloof manner that does not endear him to his colleagues and ...

Posted by
on Jul, 29

The Great Hypnotist (China, 2014)

Confidently touted as China’s first mind-bending suspense thriller, The Great Hypnotist is a stylish piece of escapism which often plays like a mix of Spellbound (1945), The Sixth Sense (1999) and Inception (2010) with its ...

Posted by
on Jul, 27

Seventh Code (Japan, 2014)

One of the most prolific visionaries to emerge from the V-Cinema sector of the 1980s, Kiyoshi Kurosawa has been keeping a surprisingly low-key profile since winning multiple honors for his family drama Tokyo Sonata (2008). ...

Posted by
on Jul, 20

Unforgiven (Japan, 2013) [Japan Cuts 2014]

Unforgiven is Lee Sang-il’s remake of Clint Eastwood’s classic 1992 Western of the same name. It stars Ken Watanabe, who has been seen in such Hollywood blockbusters as Letters from Iwo Jima (2006), The Last ...

Posted by
on Jul, 15

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