Asian film, media, and culture

A Letter to Momo (Japan, 2012)

There’s a new game in town, that is, if your town is Japantown. It’s called “Youkai Watch”. And it has replaced Pokémon as the biggest craze for the youngest set in Japan. Like Pokémon before it, the ...

Posted by
on Aug, 28 · in Reviews

Aberdeen (Hong Kong, 2014)

Continuing to explore Hong Kong life while avoiding being pigeonholed by genre, Pang Ho-cheung follows the foul-mouthed film industry satire Vulgaria (2012) with the comparatively sedate drama Aberdeen. Although it still has a fair share ...

Posted by
on Aug, 24 · in Reviews

That Demon Within (Hong Kong, 2014)

Dave Wong (Daniel Wu) is not the most popular officer on the Hong Kong police force: although dedicated to his job, he has an aloof manner that does not endear him to his colleagues and ...

Posted by
on Jul, 29

The Great Hypnotist (China, 2014)

Confidently touted as China’s first mind-bending suspense thriller, The Great Hypnotist is a stylish piece of escapism which often plays like a mix of Spellbound (1945), The Sixth Sense (1999) and Inception (2010) with its ...

Posted by
on Jul, 27

Seventh Code (Japan, 2014)

One of the most prolific visionaries to emerge from the V-Cinema sector of the 1980s, Kiyoshi Kurosawa has been keeping a surprisingly low-key profile since winning multiple honors for his family drama Tokyo Sonata (2008). ...

Posted by
on Jul, 20

Unforgiven (Japan, 2013) [Japan Cuts 2014]

Unforgiven is Lee Sang-il’s remake of Clint Eastwood’s classic 1992 Western of the same name. It stars Ken Watanabe, who has been seen in such Hollywood blockbusters as Letters from Iwo Jima (2006), The Last ...

Posted by
on Jul, 15

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