Asian film, media, and culture

Aberdeen (Hong Kong, 2014)

Continuing to explore Hong Kong life while avoiding being pigeonholed by genre, Pang Ho-cheung follows the foul-mouthed film industry satire Vulgaria (2012) with the comparatively sedate drama Aberdeen. Although it still has a fair share ...

Posted by
on Aug, 24 · in Reviews

Violent Cop (Japan, 1989)

Director Takeshi Kitano – famous in Japan as the comedian ‘Beat’ Takeshi – has most recently been associated with his two ultra-violent Outrage films (2010/2012) with a third installment in the yakuza series rumored to ...

Posted by
on Aug, 10 · in Reviews

The Uninvited (South Korea, 2003)

The Fusion Pizza-Dog. It’s perhaps the most perplexing, and yet seductive example of the fusion food that permeates the South Korean landscape. Like this bizarre mix of food, the borders in which we define film ...

Posted by
on Mar, 29

Shadow Days (China, 2014)

Zhao Dayong leapt to the forefront of China’s independent documentary movement with Street Life (2006), an unflinching portrait of the lives of migrant workers in Shanghai, then cemented his reputation with Ghost Town (2009) which ...

Posted by
on Mar, 24

Police Story 2013 (China/Hong Kong, 2013)

When is a Police Story movie not a Police Story movie? When it’s Police Story 2013, an in-name-only series entry that uses brand recognition to cement Jackie Chan as a box office force in mainland ...

Posted by
on Mar, 21

Snowpiercer (South Korea, 2013)

After many years of widely-publicized development and audience anticipation, Bong Joon-ho’s fifth feature Snowpiercer arrives amidst a media storm that has devoted as many column inches to the director’s battles with his American distributor, Radius-TWC, ...

Posted by
on Mar, 20

@vcinemashow

Feeds

Susbscribe to our awesome Blog Feed or Comments Feed