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This article was written By Stan Glick on 12 Jun 2012, and is filed under Reviews.

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About Stan Glick

Dr. Stan Glick was a columnist for Asian Cult Cinema magazine and has had his own blog, AsianCineFest, since June 2006. Stan is based in New York.

Dragon (Hong Kong/China, 2011) [NYAFF 2012]

Well VCinema readers, Dr. G, your “Dear Leader,” here with his first piece on this year’s New York Asian Film Festival. Yesterday morning I attended the first press screening of the festival, Peter Ho-Sun Chan’s 2011 film Dragon (a.k.a. Wu Xia). The film stars Donnie Yen (Hero; Seven Swords; Kill Zone; both Ip Man films, etc.) He plays Liu Jinxi, a papermaker and seemingly run-of-the-mill fellow. He’s married to lovely Ayu (Tang Wei, Late Autumn; Crossing Hennessey; and Lust,Caution). They have two boys: the older is Ayu’s from her previous husband, who abandoned her and the child, the younger one is her’s and Jinxi’s. They live in a small, remote village in Yunnan in southwest China.

Their life of peaceful anonymity and marital bliss goes all to hell one day in 1917 when two thugs come into a village store and demand money. When the shopkeeper tries to resist, the pair go ballistic on him and everyone else in the store. Initially cowering behind a cabinet, Jinxi emerges and wraps his arms around the larger would-be-robber. Holding on for dear life, he is flung around the store and ultimately winds up in a river. But it’s the two robbers who somehow end up dead. When it turns out that one of them was a top wanted criminal, Jinxi becomes somewhat of a celebrity and is commended for his role in bringing the pair to justice, though he claims that he was just lucky.

Inspector Xu Baijiu (Takeshi Kaneshiro, Chungking Express, House of Flying Daggers, the two-part Red Cliff movie) is unconvinced. With his glasses and straw hit, he displays Sherlock Holmes-like investigative abilities, including that of recreating exactly what happened by carefully examining the evidence and the testimony of those involved. Having made the mistake of going easy on a young criminal in the past, a mistake that cost innocent people their lives, Baijiu is fanatical about enforcing the letter of the law. He doggedly pursues Jinxi, not believing his account of what transpired with the two crooks and convinced that he is hiding something from his background. As a result Ayu comes to question everything she thought she knew about her husband, and the lives of Jinxi, his family, Baijiu and all the villagers are threatened by a group known as the 72 Demons, led by Jimmy Wang Yu, star of the legendary Shaw Brothers film The One-Armed Swordsman (1967).

Truth be told, there were times during the screening when I almost thought maybe I was watching a Quentin Tarantino film, because Dragon alludes to so many other movies. The revealing of the surprising past of a seemingly ordinary family man is reminiscent of David Cronenberg’s A History of Violence. Baijiu, as I’ve already indicated, comes across much like an early 20th Century Chinese Sherlock Holmes. There are visual flourishes of the body’s inner workings similar to goings on in Andrzej Bartkowiak’s Romeo Must Die. And besides the presence of Jimmy Wang Yu, who is absolutely fantastic here, there is, suffice it to say, another nod to The One-Armed Swordsman.

This is in no way to cast any pallor on Chan’s film. I loved the allusions (at least those that I believe I caught), but it won’t diminish your enjoyment of Dragon if you have no familiarity with any of the other movies alluded to.

Director Chan (The Warlords) has crafted a fabulous tale that features terrific martial arts. (Yen, besides starring, was also the action director). Dragon also offers compelling family drama and intriguing criminal investigative techniques. Underlying it all is the question — and it’s a big one that’s given serious and due weight here — of whether or not one can achieve redemption, atone for past mistakes, sins and crimes. I give it 3.5 out of 4 stars; very highly recommended.

According to the wonderful folk of Subway Cinema (who, along with the Film Society of Lincoln Center) present New York Asian Film Festival: “This version of Dragon runs 98 minutes, 12 minutes shorter than the Hong Kong cut. Director Peter Chan tightened up the movie after its Asian release and that’s the only version he’s made available to North American distributors.”

Mr. Yen will receive the Star Asia Award before the screening of Dragon on Monday, July 9 at 7:45 pm. A day earlier, on  Sunday, July 8 at 5:15 pm, he will engage in an onstage chat about his career after the screening of Kill Zone (a.k.a. SPL), in which he also stars.

For information about Dragon and the other films and special events of this years New York Asian Film Festival, click here.

Related posts:

Hazard (2005)
Shaolin (Hong Kong/China, 2011)
11th Annual New York Asian Film Festival Coverage Report Kickoff [NYAFF 2012]

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