The Sweet Requiem (India, 2018) [Aperture, 2019]
Husband-and-wife filmmaking duo, Tenzing Sonam and Ritu Sarin, take on the politically charged issue of Tibetan immigration in their latest project, The Sweet Requiem. Set...
The Gentle Indifference of the World (Kazakhstan, 2018) [Aperture 2019]
Auteur director Adilkhan Yerzhanov has become a common fixture on the European and Asian festival circuit, making a name for himself as a unique voice...
The Wandering Earth (China, 2019)
After a massively successful worldwide theatrical run, Frank Gwo’s The Wandering Earth finally saw its long-promised Netflix release, where millions of subscribers can at long...
Bei Bei (USA, 2018) [CAAMFest 2019]
A pregnant young woman finds herself at an impossible crossroad. Abandoned by her boyfriend and left alone in a foreign country, growing ever more depressed...
The Drum Tower (China, 2018) [CVF 2019]
When China entered the market economy, the Chinese government strongly encouraged many of its unemployed workers to pursue their own business ambitions in the capital....
Meili (China, 2018) [CVF 2019]
A debut on two fronts, Meili marks the first feature film for both director Zhou Zhou (previously a critic and editor) and lead actress Chi...
Go Back to China (USA, 2019) [SDAFF Spring Showcase 2019]
For her second feature, Go Back to China, writer/director Emily Ting delivers a lighthearted family drama that attempts to comment on the dynamics of a...
Mishing (The Apparition) (India, 2018)
In Arunachal Pradesh, the northeastern-most state of India, the rural community of the Sherdukpen people believe that the spirits of the dead – or the...
No. 3 (South Korea, 1997)
If one considers the 21st century as the definitive era of modern Korean cinema (aka New Korean Cinema), then the 1990s must serve as a...