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A Thousand Cuts (USA, 2020)
The alarm was sounded around the middle of the last decade on disinformation campaigns deemed to threaten social institutions founded on managing free-flowing information. It’s an issue that would have been resolved promptly if only […]
On-Gaku: Our Sound (Japan, 2019) [JAPAN CUTS 2020]
Kenji Iwaisawa’s debut film, On-Gaku: Our Sound, responds positively to the youth-oriented, music-centered movie checklist. This animated adaptation of Hiroyuki Ohashi’s manga is lively, electric, infectious, and hopeful. What the film uniquely adds is a […]
Honeygiver Among the Dogs (Bhutan, 2016)
Dechen Roder’s debut feature Honeygiver Among the Dogs is quite a unique film whose particular charm depends on its blend of seemingly incompatible approaches. Present in the film are enduring elements of neo noir (femme […]
Shadowplay (Malaysia, 2019)
At first glance, Shadowplay is conceptually shambolic. Co-written and directed by Tony Pietra Arjuna, it takes a stylistic approach to noir which pushes the neon-drenched aesthetic of recent films by Nicolas Winding Refn down a […]