Call for Papers – East Asian Film Remakes
Editors of a proposed addition to Edinburgh University Press’ newly launched “Screen Serialities” series are seeking abstracts for chapters that explore East Asian film remakes....
The Real Thing (Japan, 2020) [SDAFF Spring Showcase 2021]
The Real Thing is a 10-episode TV drama adapted from a manga originally created by Mochiru Hoshisato. It was first aired by Nagoya Broadcasting Network...
Interview with Masashi Komura, Director of POP! [OAFF 2021]
For the last few years, the Osaka Asian Film Festival has been screening MOOSIC LAB films. These works are the result of the pairing together...
POP! (Japan, 2021) [OAFF 2021]
POP! was part of the line-up of MOOSIC LAB 2020-2021 at the Osaka Asian Film Festival. Like entries in the festival’s previous editions, it pairs...
Nina Wu (Taiwan/Myanmar/Malaysia, 2019)
For their sixth film collaboration, filmmaker Midi Z and actress Wu Ke-xi co-wrote the unsettling trajectory of Nina Wu, an aspiring actress who has thus...
Interview with Satoko Yokohama, Director of Ito [OAFF 2021]
While getting a World Premiere in the Competition section of Osaka Asian Film Festival 2021 indicates the quality of Satoko Yokohama’s latest film Ito, herwork...
Ito (Japan, 2021) [OAFF 2021]
Winner of the Grand Prix and Audience Award at the Osaka Asian Film Festival 2021, Ito is a crowd-pleaser with a lot of heart. It was adapted for...
Pacific Arts Movement’s 10th Spring Showcase to Feature the “Freshest Asian Cinema” in a Celebration of Asian Identity
In a 15-film collection, Pacific Art Movement’s 10th San Diego Asian Film Festival (SDAFF) Spring Showcase will celebrate Asian, Asian American, and Pacific Islander identity...
Interview with Hiroshi Gokan, Director of Gotō-san [OAFF 2021]
The Osaka Asian Film Festival has a number of sidebars and one of the more exciting is dedicated to works supported by the Housen Cultural...
Gotō-san (Japan, 2020) [OAFF 2021]
Don’t be fooled by the light tone, Gotō-san is both dark and deep in its politics. It sees director Hiroshi Gokan using offbeat characters in...