Ne Zha (China, 2019)
Ne Zha has been one of the surprise box office hits of 2019. A computer-animated feature by first-time director Yang Yu (aka Jiaozi), it has...
Takashi Miike on First Love
Takashi Miike’s latest feature First Love concerns amateur boxer Leo (Masataka Kubota) and call girl Monica (Sakurako Konishi) who accidentally get mixed up in a...
Send Me to the Clouds (China, 2019)
There has been a rush of films of late about young Chinese women written and directed by young female directors, including Yang Mingming’s Girls Always...
Preview – London East Asia Film Festival 2019, October 24 – November 3
The London East Asia Film Festival (LEAFF), the capital’s most celebrated champion of East Asian cinema and culture, opens its fourth year on October 24...
Ms. Purple (USA, 2019)
Ms. Purple sees actor-director Justin Chon returning to the Los Angeles Koreatown milieu of his well-received 2017 debut feature Gook, but the saturated stylistic texture...
No.7 Cherry Lane (Hong Kong/China, 2019) [TIFF 2019]
As local Hong Kong cinema has undoubtedly lost momentum over the past decade, its presence on the international film festival scene has also noticeably diminished....
Saturday Fiction (China, 2019) [TIFF 2019]
The prospect of Lou Ye and Gong Li working together should excite anyone who is even remotely interested in contemporary Chinese cinema. With Saturday Fiction,...
Three Adventures of Brooke (China/Malaysia, 2018)
It is not often that one sees a first-time writer/director come up with a film as daring and fresh as Qing Yuan’s Three Adventures of...
Melancholic (Japan, 2018)
Melancholic follows Kazuhiko (Yoji Minagawa), a young man who graduated from the prestigious Tokyo University, but who has been content with just getting by. Still...
Gundala (Indonesia, 2019) [TIFF 2019]
In Hollywood, attempts at replicating the success of the Marvel Cinematic Universe have come and gone over the past decade. Other studios have yearned for...