Month: November 2018

Domestic drama comes equipped with an ardent serve of social commentary in Tracey, a new Hong Kong film from first-time feature director Jun Li. Clearly...

Those who have been following news of China’s LGBTQ community will likely be aware of filmmaker and activist Fan Popo whose enlightening documentary works include...

Polish cinema Muranów is one of those cosy cinemas where you can drink your coffee whilst waiting for a screening to start or afterwards when...

Cheng Yong (Xu Zheng) sells Indian homeopathic oils from a Shanghai storefront. His business is failing, but a last-minute opportunity comes when he is given...

On the surface, Japan is hyper-modern but underneath the shiny shell is a society sticking steadfastly to certain aspects of tradition. Nowhere is this more...

Seasons, as self-evident as the point may be, heavily accent the experiences and encounters that can take place between people and the spaces in which...

A free seminar exploring films and moving image works about Southeast Asia/by Southeast Asian artists as examples of alternative narratives to the Anthropocene – the...

Since the start of his post-ban period of filmmaking with 2011’s This Is Not A Film, Jafar Panahi has more explicitly addressed the heightened porosity...

Where is the line between the free speech of a progressive society and the fighting words that could lead to political destabilization? Kim Sang-kyu’s documentary...

For her second film but debut fiction feature, which premiered at this year’s Cannes Critics’ Week, writer-director Rohena Gera takes the formula of the servant-master...