The Widowed Witch (China, 2017)
Er Hao (Tian Tian) is called a witch for having three husbands die upon her. When the last one dies in an explosion at the...
Shoplifters (Japan, 2018)
About halfway through Hirokazu Kore-eda’s 2018 Cannes winner, Shoplifters, a simple question is met by an unexpectedly harrowing answer. The middle-aged, unemployed Osamu (Lily Franky)...
Crazy Rich Asians (USA, 2018)
Rachel Chu (Constance Wu) is a New York economics professor in a relationship with the charming but secretive Nick (Henry Golding). Nick invites Rachel to...
Preview – Reality in Long Shots: A Hou Hsiao-hsien Retrospective, September 8-29
The Austin Asian American Film Festival and Austin Film Society will present “Reality in Long Shots,” a retrospective of pioneering Taiwanese New Wave director Hou...
King of Peking (Australia/China, 2017)
Today, conversation about movies in Mainland China usually revolves around the thousands of multiplex cinemas that are being built each year, which local blockbuster has...
Interchange (Malaysia/Indonesia, 2016)
For his third feature, the Malaysia-Indonesia co-production Interchange, Malaysian filmmaker Dain Iskandar Said presents a story revolving around serial killings whose victims’ bloodless bodies are...
NIGHTSCAPE (South Korea, 2017)
Inchun Oh’s NIGHTSCAPE presents a simple but admittedly scary situation via an ingenious application of first-person POV style. Found footage has been the weapon of...
Call for Papers: Action Cinema Now International Conference, 12-14 April 2019, Reading and London UK
At a moment when the relationship between popular culture, politics and society is again being sharply debated, action cinema as a dominant form of mass...
Call for Papers: Capture Japan – Visual Culture and the Global Imagination
Contributions are now being accepted for a new edited book titled ‘Capture Japan: Visual Culture and the Global Imagination from 1952 to the Present’. The...
ULAM: Main Dish (USA, 2017) [AAIFF 2018]
Arguably, nothing unites folk more than food: transcending a means to survive, food has become one of those cultural practices defining us as on a...