Asian film, media, and culture

Kako: My Sullen Past (Japan, 2016) [JAPAN CUTS 2016]

I honestly had no expectations for this film. I didn’t browse through reviews or watch the trailer. All I knew about it was that Fumi Nikaido and Kyoko Koizumi were the two leads. I have […]

Posted by
on Jul, 24 · in Reviews

Emi-Abi (Japan, 2016) [JAPAN CUTS 2016]

Comedic dramas, or dramedies, are an incredibly hard genre to pull off. A delicate balance and an assured hand in directing is key so the audience can be able to accept the switch in genres […]

Posted by
on Jul, 23 · in Reviews

Ken and Kazu (Japan, 2015) [JAPAN CUTS 2016]

Hiroshi Shoji’s first feature Ken and Kazu concerns a pair of luckless gangster wannabes who viewers familiar with the tropes of indie crime cinema will immediately mark out as never-will-bes. What this tale of young […]

Posted by
on Jul, 22

The Shell Collector (Japan, 2016) [JAPAN CUTS 2016]

Adapted from the Anthony Doerr short story of the same name, The Shell Collector is a vividly realised fable that tantalises the senses with its phantasmagoric island imagery but an uncertain narrative footing means that […]

Posted by
on Jul, 20

Mohican Comes Home (Japan, 2016) [JAPAN CUTS 2016]

The family drama genre is usually a mixed bag, especially when it has comedic elements that are meant to offset the drama and prevent the film from being a total drag. If the film leans […]

Posted by
on Jul, 17

The Magnificent Nine (Japan, 2016) [JAPAN CUTS 2016]

The ensemble film trope has always been a favourite of mine. It’s been an enduring staple for films, ever since the first ensemble action film, Akira Kurosawa’s masterpiece Seven Samurai (1954). Presenting an opportunity to […]

Posted by
on Jul, 13

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