Asian film, media, and culture

Death Note and Death Note: The Last Name (Japan, 2006)

Death Note and Death Note: The Last Name have to be seen together as they make up a complete story, which is also an excellent adaptation of the Japanese manga and anime series. In addition, ...

Posted by
on Oct, 30 · in Reviews

Inflatable Sex Doll of the Wastelands (Japan, 1967)

Japan Society’s monthly film series The Dark Side of the Sun: John Zorn on Japanese Cinema opened with a rare US screening of cult director Atsushi Yamatoya’s Inflatable Sex Doll of the Wastelands (1967), a ...

Posted by
on Oct, 28 · in Reviews

The Midnight After (Hong Kong, 2014)

Apart from directing a segment of the horror anthology Tales from the Dark 1 (2013), Hong Kong maverick Fruit Chan has been largely absent from feature filmmaking in recent years, preferring to dabble in short ...

Posted by
on Oct, 25

Killers (Indonesia/Japan, 2014)

Killers may have been saddled with a somewhat generic title, but this is a far from routine thriller which sees a dangerous game develop between a methodical serial killer and a disgraced reporter based, respectively, ...

Posted by
on Oct, 20

Throne of Blood (Japan, 1957)

Horror is not usually one of the generic attributes associated with the output of the great Japanese film master, Akira Kurosawa. The horrors of human nature and corporate greed are perhaps evident in both Rashomon ...

Posted by
on Oct, 17

Over Your Dead Body (Japan, 2014)

As a new stage production of Tsuruya Nanboku’s classic kabuki play Yotsuya Kaidan (Ghost Story of Yotsuya) is working through its rehearsal process, its two stars partaking in an off stage romance. But soon the ...

Posted by
on Oct, 01

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